SubBoomBass by Rob Papen: A Review of the Ultimate Low-End Weapon for Your Tracks

Rob Papen SubBoomBass: The Ultimate Bass Synth for Your Tracks

If you are looking for a dedicated bass synth that can deliver powerful and punchy sounds for any genre, you should check out Rob Papen SubBoomBass. This is a software instrument that is designed by Rob Papen, a renowned sound designer and synthesizer expert who has created many other popular plugins such as Predator, Blue, and Blade. SubBoomBass is a bass synth that is focused on creating low-end sounds that can shake your speakers and fill your mix with sonic energy. Whether you are making hip hop, techno, dubstep, drum and bass, or any other style of music that requires deep and fat basses, SubBoomBass can provide you with the tools and sounds you need to make your tracks stand out.

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In this article, we will take a closer look at SubBoomBass and see what makes it such a great bass synth for your music production. We will explore its synthesis engine, its presets and sound design capabilities, its effects and sequencer sections, and its system requirements and installation process. By the end of this article, you will have a better understanding of how SubBoomBass works, how it sounds, how it fits in your music production workflow, and how to get it for your own use. So let's dive in and see what SubBoomBass can do for you!

How SubBoomBass Works: The Synthesis Engine

SubBoomBass is based on a subtractive synthesis engine that uses two oscillators, two filters, two envelopes, two LFOs, and a modulation matrix to generate and shape the sound. However, unlike some other bass synths that only offer basic waveforms and filters, SubBoomBass has some unique features that make it more versatile and expressive. Let's take a look at each of the synthesis components in more detail.

Oscillators and Waveforms

The oscillators are the sound sources of SubBoomBass. They can produce various types of waveforms that can be mixed and modulated to create complex timbres. SubBoomBass offers four categories of waveforms: analog modeled waveforms, spectral waveforms, samples, and string synthesis.

The analog modeled waveforms are based on classic analog synth waveforms such as sawtooth, square, pulse, triangle, sine, etc. They can be tuned, detuned, synced, or FM modulated to create rich harmonics and overtones. They are ideal for creating warm and fat bass sounds that emulate vintage synths.

The spectral waveforms are based on additive synthesis techniques that use multiple sine waves to create complex spectra. They can be morphed between different shapes and phases to create dynamic sounds that evolve over time. They are ideal for creating bright and crisp bass sounds that cut through the mix.

The samples are based on high-quality recordings of various acoustic and electric instruments such as bass guitars, upright basses, cellos, violins, pianos, organs, etc. They can be played back at different pitches and speeds to create realistic or experimental sounds. They are ideal for creating natural and organic bass sounds that add character and texture to your tracks.

The string synthesis is based on physical modeling techniques that simulate the behavior of vibrating strings. It can produce plucked or bowed sounds with different materials and tensions. It can also be combined with the other waveforms to create hybrid sounds that blend acoustic and synthetic elements. It is ideal for creating expressive and dynamic bass sounds that respond to your playing style.

Filters and Envelopes

The filters are the sound shapers of SubBoomBass. They can remove or boost certain frequencies from the sound to change its tone and character. SubBoomBass offers two filters with different types and modes that can be used in series or parallel.

The filter types include low-pass, high-pass, band-pass, notch, comb, formant, ring modulator, etc. They can have different slopes (12 dB/octave or 24 dB/octave) and resonance levels to create different effects. Some of the filter types also have extra parameters such as distortion, feedback, vowel shape, etc., that can further modify the sound.

The filter modes include normal mode (where the filters operate independently), split mode (where each filter is assigned to a different oscillator), serial mode (where the output of filter 1 goes into filter 2), parallel mode (where the outputs of both filters are mixed together), or stereo mode (where each filter is assigned to a different channel).

The envelopes are the sound controllers of SubBoomBass. They can modulate the amplitude or filter cutoff of the sound over time to create changes in volume or brightness. SubBoomBass offers two envelopes with four stages: attack (how long it takes for the sound to reach its maximum level), decay (how long it takes for the sound to drop from its maximum level to a sustain level), sustain (the level at which the sound is held until the note is released), and release (how long it takes for the sound to fade out after the note is released). The envelopes can have different shapes (linear, exponential, or logarithmic) and velocities (how much the envelope is affected by the velocity of the note) to create different effects.

LFOs and Modulation Matrix

The LFOs are the sound modulators of SubBoomBass. They can produce periodic changes in various parameters of the sound to create movement and variation. SubBoomBass offers two LFOs with different waveforms and sync options that can be assigned to different destinations.

The LFO waveforms include sine, triangle, sawtooth, square, random, etc. They can have different speeds (in Hz or synced to the host tempo) and depths (how much they affect the destination parameter) to create different effects. Some of the LFO waveforms also have extra parameters such as phase, pulse width, smoothness, etc., that can further modify the waveform shape.

The LFO sync options include free mode (where the LFO runs independently of the host tempo), sync mode (where the LFO is synced to the host tempo and can be set to different divisions or multiples of a beat), or trigger mode (where the LFO is triggered by each note and can be set to different lengths or repeats).

The modulation matrix is the sound router of SubBoomBass. It allows you to connect various sources and destinations of modulation to create complex interactions between different parts of the synth. SubBoomBass offers 16 modulation slots that can be filled with different combinations of sources and destinations.

The modulation sources include the envelopes, the LFOs, the velocity, the pitch bend, the mod wheel, the aftertouch, etc. They can be used to control various aspects of the sound such as pitch, volume, filter cutoff, resonance, waveform shape, effect parameters, etc.

The modulation destinations include the oscillators, the filters, the envelopes, the LFOs, the effects, etc. They can be affected by various amounts of modulation from different sources to create dynamic and expressive sounds.

How SubBoomBass Sounds: The Presets and Sound Design

SubBoomBass comes with over 2000 presets designed by Rob Papen and other guest artists such as Noisia, Junkie XL, DJ Promo, etc. These presets cover a wide range of musical genres and styles such as hip hop, techno, dubstep, drum and bass, house, trance, pop, rock, etc. They showcase the sonic potential and versatility of SubBoomBass and provide you with ready-made sounds for your tracks.

The presets are organized into different categories such as basses, leads, pads, arps, drums, fx, etc. They can be easily accessed and selected using the preset browser that allows you to filter by category, bank, author, or keyword. You can also save your own presets or edit existing ones using the preset manager that allows you to rename, copy, paste, delete, or initialize presets.

If you want to create your own bass sounds from scratch or tweak existing ones to your liking , you can use some of the unique features of SubBoomBass to enhance your sound design skills and creativity. Here are some tips and tricks that you can try with SubBoomBass to make your bass sounds more interesting and original.

Sound Design Tips and Tricks

One of the features that sets SubBoomBass apart from other bass synths is the wave-sequence function. This function allows you to create complex and evolving waveforms by sequencing up to 16 different waveforms for each oscillator. You can set the speed, length, and direction of the sequence, as well as modulate it with an envelope or an LFO. You can also use the wave-sequence function to create rhythmic patterns by using different samples or string synthesis sounds. This way, you can create bass sounds that change over time and add movement and variation to your tracks.

Another feature that makes SubBoomBass unique is the tuned drum percussion samples. These are samples of various acoustic and electronic drums that are tuned to specific notes and can be used as additional sound sources for the oscillators. You can use these samples to add punch and attack to your bass sounds, or to create hybrid sounds that blend bass and drum elements. You can also use these samples to create drum loops or fills by using the sequencer section of SubBoomBass.

A third feature that gives SubBoomBass an edge over other bass synths is the free mode option. This option allows you to bypass the keyboard tracking of the oscillators and filters, and set their pitches and cutoffs manually. This way, you can create bass sounds that are independent of the note you play, and have a fixed frequency or tone. You can use this option to create drones, sub-basses, or sound effects that add depth and atmosphere to your tracks.

A fourth feature that enhances the sound design possibilities of SubBoomBass is the XY pad. This is a graphical interface that allows you to control two parameters at once by moving a cursor on a two-dimensional plane. You can assign any parameter of SubBoomBass to the X or Y axis of the pad, such as pitch, filter cutoff, LFO speed, effect mix, etc. You can also record your movements on the pad and play them back in sync with the host tempo. You can use this feature to create expressive and dynamic modulations that add life and character to your bass sounds.

How SubBoomBass Fits: The Effects and Sequencer

SubBoomBass not only offers a powerful synthesis engine and a vast library of presets, but also a comprehensive effects and sequencer section that can further enhance your bass sounds and make them fit in your music production workflow. Let's see how these sections work and what they can do for you.

Effects Section

The effects section of SubBoomBass allows you to add various effects to your bass sounds to make them more colorful and interesting. SubBoomBass offers two effects slots that can be filled with different effects such as distortion, chorus, delay, reverb, etc. You can adjust the parameters of each effect to suit your taste, and also modulate them with midi from any of the synth parts.

The effects section also allows you to choose between mono or stereo output for your bass sounds, depending on whether you want them to be centered or spread in the stereo field. You can also use the panning knob to adjust the position of your bass sounds in the stereo field.

The effects section also offers a master volume knob that allows you to control the overall level of your bass sounds, as well as a limiter switch that prevents clipping or distortion when the level is too high.

Sequencer Section

The sequencer section of SubBoomBass allows you to create rhythmic bass lines using a built-in sequencer that can run up to four patterns simultaneously. Each pattern can have its own speed, length, swing, groove, mute, solo, etc., and can be edited using a step sequencer interface or a piano roll interface.

The sequencer section also allows you to choose between polyphonic or monophonic mode for your bass sounds, depending on whether you want them to play multiple notes at once or only one note at a time. You can also use the glide knob to adjust the amount of portamento or glide between notes when playing in monophonic mode.

The sequencer section also offers a chord function that allows you to play chords with one finger by selecting from various chord types such as major, minor, seventh, ninth, etc. You can also use the chord function to create arpeggios by setting the speed and direction of the arpeggiator.

How to Get SubBoomBass: The System Requirements and Installation

If you are interested in getting SubBoomBass for your own music production, you need to make sure that your computer meets the minimum and recommended system requirements for running the software. You also need to follow the installation process to download and install SubBoomBass on your computer. Here are the details of the system requirements and installation process.

System Requirements

SubBoomBass is available as a VST, AU, or AAX plugin for Windows or Mac OS X platforms. It can be used with any compatible host application such as Cubase, Logic, Ableton Live, Pro Tools, etc. It can also be used as a standalone application without a host.

The minimum system requirements for running SubBoomBass are as follows:

• Windows 7 or higher (32-bit or 64-bit)

• Mac OS X 10.9 or higher (64-bit only)

• Intel Core 2 Duo processor or higher

• 2 GB of RAM or higher

• 100 MB of free disk space or higher

• An internet connection for downloading and activating the software

The recommended system requirements for running SubBoomBass are as follows:

• Windows 10 or higher (64-bit only)

• Mac OS X 10.12 or higher (64-bit only)

• Intel Core i5 processor or higher

• 4 GB of RAM or higher

• 200 MB of free disk space or higher

• An internet connection for downloading and activating the software

Installation Process

To install SubBoomBass on your computer, you need to follow these steps:

• Go to the official website of Rob Papen and create an account or log in if you already have one.

• Purchase SubBoomBass from the online shop or use a coupon code if you have one.

• Download the installer for your platform (Windows or Mac OS X) from the download section of your account.

• Run the installer and follow the instructions on the screen to install SubBoomBass on your computer.

• Launch SubBoomBass as a plugin or a standalone application and enter your serial number and user name to activate the software.

• Enjoy using SubBoomBass for your music production!

Conclusion: Why You Need SubBoomBass for Your Music Production

In this article, we have seen what SubBoomBass is, how it works, how it sounds, how it fits in your music production workflow, and how to get it for your own use. We have learned that SubBoomBass is a powerful and versatile bass synth that can create low-end sounds that can shake your speakers and fill your mix with sonic energy. We have also learned that SubBoomBass has some unique features that make it more expressive and creative than other bass synths, such as the wave-sequence function, the tuned drum percussion samples, the free mode option, and the XY pad. We have also learned that SubBoomBass comes with over 2000 presets that cover various musical genres and styles, and that it has a comprehensive effects and sequencer section that can further enhance your bass sounds and make them fit in your tracks.

If you are looking for a dedicated bass synth that can deliver powerful and punchy sounds for any genre, you should definitely check out Rob Papen SubBoomBass. It is a software instrument that is designed by a renowned sound designer and synthesizer expert who has created many other popular plugins such as Predator, Blue, and Blade. It is a bass synth that is focused on creating low-end sounds that can shake your speakers and fill your mix with sonic energy. Whether you are making hip hop, techno, dubstep, drum and bass, or any other style of music that requires deep and fat basses, SubBoomBass can provide you with the tools and sounds you need to make your tracks stand out.

So what are you waiting for? Go ahead and buy or try SubBoomBass today and see what it can do for you! You will not regret it! dcd2dc6462